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Best porn of Girl Next Door

Total Videos: 334
Rebecca (34 mins). I love a girl with blue eyes, I don't know why but staring deep into the ocean blue eyes of an attractive woman really gets my pussy purring. Rebecca had come to my office today in response to an advertisement she saw online and wanted to do underwear modelling. Of course I wanted her naked and on my couch wrapped up in my arms and so the seduction began. I got her to pose in her underwear and then casually mentioned there was more money in nude pictures and from there it was a simple task of sitting next to her on the sofa, stroking her belly with my fingernail and promising her lots of work but only if she made love to me first. She had never made love to another woman before and I told her to relax and enjoy the ride. She responded softly to my kisses and she had these amazing puffy nipples that felt amazing in my mouth as I sucked on them and licked around their tips. He breathing was becoming ragged and I knew I was turning her on so I tasted her pussy delicately before finger fucking her to an amazing orgasm right there on the couch. Now I was all fired up and ready to fuck, and it was her turn to make me cum. I lay her down and straddled her face as she licked and lapped at my pussy in search of my orgasm nectar. For someone with no experience she licked me brilliantly and I had an amazing climax, only slightly spoiled by a sharp knock on the door just after I climaxed. It was my next casting interview, and I was stoked and ready for more. I ushered her out with a hint of regret, she was fantastic, gorgeous and will stay in my mind for many months to come. A very sexy casting indeed.

Rebecca (34 mins). I love a girl with blue eyes, I don't know why but staring deep into the ocean blue eyes of an attractive woman really gets my pussy purring. Rebecca had come to my office today in response to an advertisement she saw online and wanted to do underwear modelling. Of course I wanted her naked and on my couch wrapped up in my arms and so the seduction began. I got her to pose in her underwear and then casually mentioned there was more money in nude pictures and from there it was a simple task of sitting next to her on the sofa, stroking her belly with my fingernail and promising her lots of work but only if she made love to me first. She had never made love to another woman before and I told her to relax and enjoy the ride. She responded softly to my kisses and she had these amazing puffy nipples that felt amazing in my mouth as I sucked on them and licked around their tips. He breathing was becoming ragged and I knew I was turning her on so I tasted her pussy delicately before finger fucking her to an amazing orgasm right there on the couch. Now I was all fired up and ready to fuck, and it was her turn to make me cum. I lay her down and straddled her face as she licked and lapped at my pussy in search of my orgasm nectar. For someone with no experience she licked me brilliantly and I had an amazing climax, only slightly spoiled by a sharp knock on the door just after I climaxed. It was my next casting interview, and I was stoked and ready for more. I ushered her out with a hint of regret, she was fantastic, gorgeous and will stay in my mind for many months to come. A very sexy casting indeed.

4 years ago 72668 8:00
Strawberry blonde Chrissy Fox first appeared in a Sexart HD erotic film several months ago. While her debut performance was in a lesbian feature, for her sophomore outing she's teamed with a male partner Jayden Cox and she proves herself every bit as adept and appealing with a man as she is with a woman. Lost in the Rain begins on a downbeat note. Caught in an unexpected downpour and underdressed for the unanticipated chilly conditions, Fox wanders in search of her lover's home. When she finally arrives at his door Cox wraps her in a towel and then takes her inside where he draws her a warm bath. After a brief soak to wash away the chill, Fox joins Cox on his bed. After a kiss and a cuddle Chrissy takes off her towel, straddles Jayden's face, and plants her smooth box on his hungry mouth. Fox next repositions herself for a session of sixty-nine, and once both partners have savored their mutual foreplay Fox takes a seat on Cox and begins to ride him in the reverse cowgirl position. Chrissy is a particularly vigorous and expressive partner, and she humps, gyrates, and swivels her hips energetically with Jayden's cock deep inside her pussy. In contrast, Cox is the strong, mainly silent type, whether he's pumping Fox from behind in the spoon position, receiving an agile handjob, or having his cock sucked by the ravenous vixen. Chrissy winds up on her back, stroking her clit, as Cox pumps her to ecstasy, and once her orgasm subsides, he piston-pounds her and then pulls out so that Fox can milk a generous load from his throbbing erection providing Lost in the Rain with an ending that's passionate, wet, and more than a little bit wild.

Strawberry blonde Chrissy Fox first appeared in a Sexart HD erotic film several months ago. While her debut performance was in a lesbian feature, for her sophomore outing she's teamed with a male partner Jayden Cox and she proves herself every bit as adept and appealing with a man as she is with a woman. Lost in the Rain begins on a downbeat note. Caught in an unexpected downpour and underdressed for the unanticipated chilly conditions, Fox wanders in search of her lover's home. When she finally arrives at his door Cox wraps her in a towel and then takes her inside where he draws her a warm bath. After a brief soak to wash away the chill, Fox joins Cox on his bed. After a kiss and a cuddle Chrissy takes off her towel, straddles Jayden's face, and plants her smooth box on his hungry mouth. Fox next repositions herself for a session of sixty-nine, and once both partners have savored their mutual foreplay Fox takes a seat on Cox and begins to ride him in the reverse cowgirl position. Chrissy is a particularly vigorous and expressive partner, and she humps, gyrates, and swivels her hips energetically with Jayden's cock deep inside her pussy. In contrast, Cox is the strong, mainly silent type, whether he's pumping Fox from behind in the spoon position, receiving an agile handjob, or having his cock sucked by the ravenous vixen. Chrissy winds up on her back, stroking her clit, as Cox pumps her to ecstasy, and once her orgasm subsides, he piston-pounds her and then pulls out so that Fox can milk a generous load from his throbbing erection providing Lost in the Rain with an ending that's passionate, wet, and more than a little bit wild.

4 years ago 11917 2:05
IS EVERYTHING OK? GIA PAIGE'S FIRST DP. WRITTEN BY GIA PAIGE SCENE OPENS on Sue, a middle-aged woman, as she finishes a phone call with a friend. Speaking in soft, reassuring tones, she tells the other end of the line to stay calm. Of course, they will be happy to have her daughter come and stay for a while during the separation. She knows how hard divorce be. Besides, Tiffany and her boys have always got along. She gets off the phone and, taking a deep breath, calls out to her two sons to join her for a family meeting. Dave and Mike still live at home, despite being grown men. They have it easy here, with their dotting mom, a big house, and few responsibilities. When Sue enters the living room, she finds them sprawled out on the couch watching television. She sits down and turns the TV off to announce that she has some news. They have a house guest coming today. Tiffany Wilde. Her parents are getting a divorce and her mom needs their help. The boys look at each other. 'Is everything ok with Mrs. Wilde?' Dave asks, concerned. Sue, trying not to seem flustered, replies that the mom simply can't look after Tiffany for a while. She needs to take of herself first. So, that's why they are going to help by taking Tiffany in. 'Absolutely,' Mike says. 'What do you need us to do mom?' Sue hugs her sons and then begins to pace around the room, explaining everything that they need to do to get ready for the girl's arrival. As she spits out instructions, the boys slowly glance at each other one more time. CUT to Tiffany driving in the back seat of a car, her bags beside her. She sits silently, her eyes glazed over with tears, as she stares out the window. She looks so lost. CUT TO TITLE PLATE Two weeks later. Sue watches out the kitchen window as Tiffany, Dave and Mike run around the back yard. The trio laugh and joke as they horseplay and Sue couldn't feel more relieved. She sneaks a photo to send to Diane, texting the woman that her daughter feels much better now. It's nice that she can have some space while everything gets sorted. CUT to outside. As the trio wrestle and laugh, it all seems innocent until Mike pulls Tiffany down on his lap. She wriggles to get out, still laughing, but the camera lingers on his face as we see his expression change into something more serious. The next day. Tiffany, Dave and Mike are watching TV and eating chips when Sue comes down the stairs with an overnight bag. 'My rideshare is here!' She says. Dave leaps up to help. 'Are you sure one of us can't just drive you to the airport, mom?' He asks. She tells him to relax, it's a quick drive and she'll only be gone for the weekend. She says goodbye to everyone and leaves the trio alone. They get back to watching TV and Dave nonchalantly puts his arm around Tiffany. She notices but snuggles into him anyway, because he's always been like a big brother to her. She feels so safe. CUT to the bathroom that night. Tiffany is sitting in the tub when Mike unexpectedly comes in. At first, she covers herself, embarrassed to be seen naked, but he shrugs it off. 'Chill! I just have to take a piss,' he says calmly. 'It's not like I've never seen you naked before!' Tiffany looks down at her body awkwardly. She doesn't know what to do or say and Mike picks up on this. '...At the lake, remember? Growing up? All those summer vacations our families took together?' Tiffany can't help but start thinking about the past and her eyes well up. 'That's right ...' she replies, trailing off. Mike washes his hands and, noticing the change in her disposition, sits down next to the tub. 'Is everything ok?' He asks. Tiffany breaks down and, through her tears, admits why she is really staying at their house. Her father is an alcoholic. For many years, they just dealt with it privately. Dad would spend all his free time drinking in the back with his buddies. Mom would manage. But, then he stopped working. And he started getting violent. And then he bailed, ran off with another woman. Mom tried to kill herself over it. That's why Sue took her in. Mom's still in the psych ward for evaluation. They're not sure if she'll ever get better. By the end of her confession, Tiffany is sobbing so hard that Mike reaches over and gives her a big hug. At first, it seems completely genuine, but Mike does not let go and, instead, starts to slide his hands further down Tiffany's naked back. She is so distressed about everything that she doesn't really notice. In fact, she hugs him back tightly as he comforts her. 'You know, Dave and I will always be here for you,' he says. 'We will always take care of you!' The camera lingers on his face, as he sneaks a look down at the naked girl in his arms. CUT to Tiffany's bedroom. She is just getting into bed when Dave knocks on the door, asking if he can come in. He doesn't want to intrude but Mike told him a little bit about what had happened in the bathroom and he just wanted to check on her. Blushing, Tiffany beckons him over and gives him a hug. 'Thank you for always being so sweet to me,' she says. 'Both you and your brother. I don't know what I'd do without you two!' Dave comforts her, telling her how much they love and appreciate her here. His hands start running all over her body and, after a few increasingly awkward moments, he leans in and tries to kiss her on the mouth. Tiffany backs up, confused and freaked out. 'Why did you do that, Dave?' She whispers. Dave starts getting defensive. He tells her that he was only responding to what she was doing to him. Her body language was practically begging for it. 'You were comforting me!' She replies, her voice raising. 'No, I wasn't' Dave retorts, yelling back. 'I was just doing what you wanted. You obviously wanted me to kiss you. You've been leading me on for weeks now, ever since you got here!' Mike runs into the room to see what's going on. Before Tiffany can really say anything, Dave cuts in to explain that she is suddenly playing the victim card, despite hitting on them both for weeks. 'I can't believe you would be a bitch like this,' Mike starts yelling at her. 'We have been nothing but kind and supportive and this is how you repay us? Like you're too good for us?!' Tiffany is floored, her eyes welling up in shock as Mike continues to berate her. 'You know why your mom really dropped you off, right? Because she wanted to bail on you too, just like your dad!' Tiffany starts to cry. 'It's obvious,' Dave adds, 'they don't love you. Nobody loves you!' The brothers start to laugh and joke, adding to the tension in the room. They notice Tiffany in tears and switch gears, swooping in on either side of her. 'I hate to tell you,' Mike continues. 'But your mom isn't coming back. She's going to be in that hospital for years!' They shepherd her over to her bed. 'And even though you're 18 now, you know that you have nowhere else to go,' Dave says. 'Don't you think you should be a little nicer to us? We're like your older brothers, after all!' She looks at them, wiping her eyes. 'You are like my brothers,' she pleads. 'So, I don't know why you are being so mean to me all of a sudden!' Mike rubs her shoulder, as she cringes at the touch. 'We just want to know why you're acting like this now?' He says, in a condescending voice. 'You were totally fine when I was hugging you ... naked ... in the bath.' Tiffany tries to explain but Dave cuts her off. 'I think,' he says, joining his brother in touching the girl. 'That deep down inside you might actually like this ... you are clearly longing for attention, you're just too scared to admit it!' Both brothers berate her, bullying her, egging her on to just admit that she liked their attention and was even feeding into it. At first, she denies it, but they don't let up. They keep going back and forth, manipulating her and pointing out all the instances over the last few weeks that she supposedly flirted with them. They try to make her feel guilty for leading them on. Eventually, she caves and admits that she liked their attention. She's lonely and scared. They made her feel safe. That's why she acted the way she did. She thought they were going to take care of her. Seizing this admission, Dave reassures her that they will take care of her. They always will. She just needs to take care of them too. That's what family is for.

IS EVERYTHING OK? GIA PAIGE'S FIRST DP. WRITTEN BY GIA PAIGE SCENE OPENS on Sue, a middle-aged woman, as she finishes a phone call with a friend. Speaking in soft, reassuring tones, she tells the other end of the line to stay calm. Of course, they will be happy to have her daughter come and stay for a while during the separation. She knows how hard divorce be. Besides, Tiffany and her boys have always got along. She gets off the phone and, taking a deep breath, calls out to her two sons to join her for a family meeting. Dave and Mike still live at home, despite being grown men. They have it easy here, with their dotting mom, a big house, and few responsibilities. When Sue enters the living room, she finds them sprawled out on the couch watching television. She sits down and turns the TV off to announce that she has some news. They have a house guest coming today. Tiffany Wilde. Her parents are getting a divorce and her mom needs their help. The boys look at each other. 'Is everything ok with Mrs. Wilde?' Dave asks, concerned. Sue, trying not to seem flustered, replies that the mom simply can't look after Tiffany for a while. She needs to take of herself first. So, that's why they are going to help by taking Tiffany in. 'Absolutely,' Mike says. 'What do you need us to do mom?' Sue hugs her sons and then begins to pace around the room, explaining everything that they need to do to get ready for the girl's arrival. As she spits out instructions, the boys slowly glance at each other one more time. CUT to Tiffany driving in the back seat of a car, her bags beside her. She sits silently, her eyes glazed over with tears, as she stares out the window. She looks so lost. CUT TO TITLE PLATE Two weeks later. Sue watches out the kitchen window as Tiffany, Dave and Mike run around the back yard. The trio laugh and joke as they horseplay and Sue couldn't feel more relieved. She sneaks a photo to send to Diane, texting the woman that her daughter feels much better now. It's nice that she can have some space while everything gets sorted. CUT to outside. As the trio wrestle and laugh, it all seems innocent until Mike pulls Tiffany down on his lap. She wriggles to get out, still laughing, but the camera lingers on his face as we see his expression change into something more serious. The next day. Tiffany, Dave and Mike are watching TV and eating chips when Sue comes down the stairs with an overnight bag. 'My rideshare is here!' She says. Dave leaps up to help. 'Are you sure one of us can't just drive you to the airport, mom?' He asks. She tells him to relax, it's a quick drive and she'll only be gone for the weekend. She says goodbye to everyone and leaves the trio alone. They get back to watching TV and Dave nonchalantly puts his arm around Tiffany. She notices but snuggles into him anyway, because he's always been like a big brother to her. She feels so safe. CUT to the bathroom that night. Tiffany is sitting in the tub when Mike unexpectedly comes in. At first, she covers herself, embarrassed to be seen naked, but he shrugs it off. 'Chill! I just have to take a piss,' he says calmly. 'It's not like I've never seen you naked before!' Tiffany looks down at her body awkwardly. She doesn't know what to do or say and Mike picks up on this. '...At the lake, remember? Growing up? All those summer vacations our families took together?' Tiffany can't help but start thinking about the past and her eyes well up. 'That's right ...' she replies, trailing off. Mike washes his hands and, noticing the change in her disposition, sits down next to the tub. 'Is everything ok?' He asks. Tiffany breaks down and, through her tears, admits why she is really staying at their house. Her father is an alcoholic. For many years, they just dealt with it privately. Dad would spend all his free time drinking in the back with his buddies. Mom would manage. But, then he stopped working. And he started getting violent. And then he bailed, ran off with another woman. Mom tried to kill herself over it. That's why Sue took her in. Mom's still in the psych ward for evaluation. They're not sure if she'll ever get better. By the end of her confession, Tiffany is sobbing so hard that Mike reaches over and gives her a big hug. At first, it seems completely genuine, but Mike does not let go and, instead, starts to slide his hands further down Tiffany's naked back. She is so distressed about everything that she doesn't really notice. In fact, she hugs him back tightly as he comforts her. 'You know, Dave and I will always be here for you,' he says. 'We will always take care of you!' The camera lingers on his face, as he sneaks a look down at the naked girl in his arms. CUT to Tiffany's bedroom. She is just getting into bed when Dave knocks on the door, asking if he can come in. He doesn't want to intrude but Mike told him a little bit about what had happened in the bathroom and he just wanted to check on her. Blushing, Tiffany beckons him over and gives him a hug. 'Thank you for always being so sweet to me,' she says. 'Both you and your brother. I don't know what I'd do without you two!' Dave comforts her, telling her how much they love and appreciate her here. His hands start running all over her body and, after a few increasingly awkward moments, he leans in and tries to kiss her on the mouth. Tiffany backs up, confused and freaked out. 'Why did you do that, Dave?' She whispers. Dave starts getting defensive. He tells her that he was only responding to what she was doing to him. Her body language was practically begging for it. 'You were comforting me!' She replies, her voice raising. 'No, I wasn't' Dave retorts, yelling back. 'I was just doing what you wanted. You obviously wanted me to kiss you. You've been leading me on for weeks now, ever since you got here!' Mike runs into the room to see what's going on. Before Tiffany can really say anything, Dave cuts in to explain that she is suddenly playing the victim card, despite hitting on them both for weeks. 'I can't believe you would be a bitch like this,' Mike starts yelling at her. 'We have been nothing but kind and supportive and this is how you repay us? Like you're too good for us?!' Tiffany is floored, her eyes welling up in shock as Mike continues to berate her. 'You know why your mom really dropped you off, right? Because she wanted to bail on you too, just like your dad!' Tiffany starts to cry. 'It's obvious,' Dave adds, 'they don't love you. Nobody loves you!' The brothers start to laugh and joke, adding to the tension in the room. They notice Tiffany in tears and switch gears, swooping in on either side of her. 'I hate to tell you,' Mike continues. 'But your mom isn't coming back. She's going to be in that hospital for years!' They shepherd her over to her bed. 'And even though you're 18 now, you know that you have nowhere else to go,' Dave says. 'Don't you think you should be a little nicer to us? We're like your older brothers, after all!' She looks at them, wiping her eyes. 'You are like my brothers,' she pleads. 'So, I don't know why you are being so mean to me all of a sudden!' Mike rubs her shoulder, as she cringes at the touch. 'We just want to know why you're acting like this now?' He says, in a condescending voice. 'You were totally fine when I was hugging you ... naked ... in the bath.' Tiffany tries to explain but Dave cuts her off. 'I think,' he says, joining his brother in touching the girl. 'That deep down inside you might actually like this ... you are clearly longing for attention, you're just too scared to admit it!' Both brothers berate her, bullying her, egging her on to just admit that she liked their attention and was even feeding into it. At first, she denies it, but they don't let up. They keep going back and forth, manipulating her and pointing out all the instances over the last few weeks that she supposedly flirted with them. They try to make her feel guilty for leading them on. Eventually, she caves and admits that she liked their attention. She's lonely and scared. They made her feel safe. That's why she acted the way she did. She thought they were going to take care of her. Seizing this admission, Dave reassures her that they will take care of her. They always will. She just needs to take care of them too. That's what family is for.

4 years ago 16996 6:14
AIRTIGHT INVASION Teen Uses All Her Holes to DP and Get Revenge on Male Captors A STATEMENT FROM LENA PAUL: I've never felt drawn to expressing my own personal trauma in my porn because I generally find it a little inappropriate to air your dirty laundry online. However, when Bree approached me to write a story for Pure Taboo, I felt it was an opportunity to share my own experiences in a serious adult piece. The parameters of my story stem from a recurring nightmare I had after being assaulted. I'd like to offer this project as my #MeToo, in that I wanted to create a story that women who've suffered trauma could feel empowered about watching. A lot of women who watch porn, particularly rough sex scenarios, after experiencing trauma feel a lot of shame about it, despite it being an extremely common fantasy (top 5 actually according to some studies) for women. It was my desire to thread the needle of empowering women while also placing my character in a seemingly dangerous or degrading setting to talk about how this juxtaposition can feel both complicated and pleasurable for viewers. I hope, in the end, that Airtight Invasion will continue our industry's conversations about female empowerment and representation. SCENE opens one night as a beautiful young woman named Veronica shuts down her family's house for the evening. Veronica is the daughter of a rich businessman with suspected ties to organized crime and she looks every bit like a mob boss' daughter, with a full face of makeup and flashy clothing. But, despite her grown-up appearance, Veronica is an anxious girl ... pacing through the different levels of her mansion and pleading with her father on the phone. It's the first time that she's been left alone for the weekend with only one guard on duty and Veronica does not believe he will be enough to protect her, especially from any of daddy's enemies. Her father is dismissive, telling her to calm down, she is 18-years-old, and that the guard is a trained professional. He and her mother will be home in the morning. Strutting into the kitchen, she takes a deep breath before agreeing and her father hangs up, leaving her to reflect for a moment in the silence of the room. She opens the fridge, grabs a bottle of water, and heads to the front door. The security guard, Bruno, is standing in front of it as he always does during the night shift. Opening the door, she says goodnight sweetly and offers him the water, which he takes gratefully. It's hot out. Veronica kisses him on the cheek and thanks him for always keeping her safe, before closing the door. Bruno turns back to his duties, standing on the front steps and sipping his water. He smiles at the thought of the sweet innocent girl. CUT TO TITLE PLATE Bruno is lying passed out on the front steps, the water bottle open and dripping beside him. Three men, dressed in black, step over him cautiously and open the door. It is not locked. They quietly file into the foyer and down through the various levels of the house to Veronica's room. She is sleeping in her bed, dressed in silk pajamas. They approach and stare down at her, each wearing black ski masks and breathing hard. The teen girl tosses for a moment before slowly waking up and staring straight at them. Her eyes go wide. 'You're coming with us,' one of them growls. Cut to black over sounds of rustling and resistance. 8 Hours Later. Veronica struggles to see. Something is over her head and she begs the men to remove it. They rip it off, a pillowcase, and, for the first time, she is exposed to her surroundings. She is being kept in a messy storage locker and surrounded by two of the men, who seem almost as anxious as she is. 'Who are you?' she mutters. The two men look at each other, before turning back. 'You are being held until your father pays us what he owes us,' one says. Veronica lowers her eyes in fear. Her hands are crudely tied together, and she winches at the ropes. 'Do you think you could please remove these?' She begs. 'I'm obviously not going anywhere.' The men look at each other again, debating what to do, before the other pops open a switchblade and cuts her hands free. 'You better sit still,' he meekly warns, 'or else!' Suddenly, a door opens and a third man, the eldest of the three, comes strutting in the room with a gun and a cell phone. He sees that Veronica is loose and immediately rushes over, leaving the door ajar, to berate the other men for untying her. They tell him to chill, she promised not to run, and besides ... they all know she has nowhere to go. Calming down, the third man gets right into Veronica's face and tries to intimidate her. He warns her not to cross them or try anything stupid. They are trained professionals. They don't care how they make their money at the end of the day ... and disposal is much easier than ransom negotiations. Veronica clams up and agrees with everything that the man, who is clearly the leader, says. He seems to take great satisfaction from this power trip and tosses the phone into the hands of the other two men. 'Use this burner, boys,' he barks, turning back and flashing a sadistic grin at Veronica. 'Time to call daddy!' 24 Hours Later. Veronica sits slumped in a corner, sweaty and anxious, while the men try to talk to her father. This is the fourth call they've placed since the heist, and her dad is sobbing on the other end of the line. He can put together some of the ransom but not everything they are asking for. They are being unreasonable, and he begs for leniency. He hasn't called the cops, after all. He is playing along. Finally, the leader hangs up on him angrily. This is not going as he had expected. He lashes out at the other two men, waving his gun around, and telling them that they are being too soft on the girl. If they had the balls to send her father a special delivery, it would wrap things up quickly. Veronica shrinks back and whispers that her father is just trying to negotiate. That's what he does. He's always been cheap. He has the whole amount. The leader grabs her. 'So, what the fuck do you recommend we try next, then?' He yells. 36 Hours Later. Veronica sits quietly in between the two men, as the leader yells into the phone. He is telling the father that he knows about the hidden safe in his office and all the reserves he keeps there. As they argue, Veronica tries to whisper a few key details to help the leader prove his point. The father claims he emptied that safe out months ago. There must be some other way. Without thinking, Veronica stands up and yells 'Dad, Please!' This causes the father to panic, hearing his daughter in distress. The leader hangs up the phone abruptly and spins around, as the other two cover her mouth and pull her back down to the ground. 'I told you not to do anything stupid!' He yells. Slowly, Veronica removes the hand from her mouth and says. 'That wasn't stupid, that was exactly what you needed. He's nervous. Now, you just have to make him terrified!' 48 Hours Later. The three men sit in a corner, away from the girl, debating over what to do. The two men are becoming very antsy, urging the leader to just get rid of Veronica and abandon the job. She watches and listens closely, biting her lip. The leader argues that they should stick it out, they just need to do something that will really fuck the man up and get him to cough up the whole amount. It needs to be a real threat, no more pussying around. The room goes silent. 'You should all fuck me,' Veronica says quietly. 'Do whatever the fuck you want. Just send my father the evidence. As soon as he sees his daughter like that, he will cooperate with you. No more pussying around.' The men look at each other in shock. 'Does she have Stockholm syndrome or something?' One of them laughs nervously. Veronica stands up, shaking, and starts to under her pajama top. 'But, you need to make it look rough, make it look you ruined me. All three of you need to be in on it. Inside of me. Airtight. I want this to be done as much as you do.' She takes off her pants and stands naked before them. The leader flashes a smile and starts to approach her, as the other man chimes in to protest. 'What if she is playing us?' The leader tells him to stop pussying around, like the lady said, and get his phone out. It's picture time. The leader rests his gun on the ground, kicking it to the side, as he peels off his clothes. 'Grabs the masks,' he tells the other man. 'We don't want to be recognized!' The three men strip down, put their masks back on, and approach Veronica. 'Are you ready, sweetheart?' The leader coos in her ear. She says YES and drops to her knees. BBBG Rough Sex Scene with Airtight DP penetration. Throughout the sex, they take turns taking photos. In the end, the three men give Veronica a full facial and make her pose for a picture. While they laugh and look at the photos (the audience never actually sees the photos), she quietly sneaks to the side of the room where the gun was tossed, grabs it, and points it in their direction. Cut to black as gunshots are heard. Over a black frame, a voice over of Veronica calling her father. She asks if he saw the photos. He says yes, crying. She tells him this will be the last time they let her speak to him unless he gives them what they want. Through tears, he agrees. She tells him to bring the full amount to a location that will be texted to him. He must come alone. He must not involve the authorities. He agrees. The phone is cut. A final shot shows the father sitting, with a suitcase. A car pulls up and rolls down the window. It's Veronica -- dressed immaculately. She hushes her father and tells him it's ok, as a man in a black ski mask gets out of the car and collects the suit case. 'Will you let her go now?' the father pleads. As Veronica rolls the window back up, she hears the man pull the trigger and her father fall to the ground. The man in the ski mask gets back the front driver's seat and takes off his mask. It's Bruno. 'Where to now, Miss Veronica?' he asks politely. 'To the airport,' she replies.

AIRTIGHT INVASION Teen Uses All Her Holes to DP and Get Revenge on Male Captors A STATEMENT FROM LENA PAUL: I've never felt drawn to expressing my own personal trauma in my porn because I generally find it a little inappropriate to air your dirty laundry online. However, when Bree approached me to write a story for Pure Taboo, I felt it was an opportunity to share my own experiences in a serious adult piece. The parameters of my story stem from a recurring nightmare I had after being assaulted. I'd like to offer this project as my #MeToo, in that I wanted to create a story that women who've suffered trauma could feel empowered about watching. A lot of women who watch porn, particularly rough sex scenarios, after experiencing trauma feel a lot of shame about it, despite it being an extremely common fantasy (top 5 actually according to some studies) for women. It was my desire to thread the needle of empowering women while also placing my character in a seemingly dangerous or degrading setting to talk about how this juxtaposition can feel both complicated and pleasurable for viewers. I hope, in the end, that Airtight Invasion will continue our industry's conversations about female empowerment and representation. SCENE opens one night as a beautiful young woman named Veronica shuts down her family's house for the evening. Veronica is the daughter of a rich businessman with suspected ties to organized crime and she looks every bit like a mob boss' daughter, with a full face of makeup and flashy clothing. But, despite her grown-up appearance, Veronica is an anxious girl ... pacing through the different levels of her mansion and pleading with her father on the phone. It's the first time that she's been left alone for the weekend with only one guard on duty and Veronica does not believe he will be enough to protect her, especially from any of daddy's enemies. Her father is dismissive, telling her to calm down, she is 18-years-old, and that the guard is a trained professional. He and her mother will be home in the morning. Strutting into the kitchen, she takes a deep breath before agreeing and her father hangs up, leaving her to reflect for a moment in the silence of the room. She opens the fridge, grabs a bottle of water, and heads to the front door. The security guard, Bruno, is standing in front of it as he always does during the night shift. Opening the door, she says goodnight sweetly and offers him the water, which he takes gratefully. It's hot out. Veronica kisses him on the cheek and thanks him for always keeping her safe, before closing the door. Bruno turns back to his duties, standing on the front steps and sipping his water. He smiles at the thought of the sweet innocent girl. CUT TO TITLE PLATE Bruno is lying passed out on the front steps, the water bottle open and dripping beside him. Three men, dressed in black, step over him cautiously and open the door. It is not locked. They quietly file into the foyer and down through the various levels of the house to Veronica's room. She is sleeping in her bed, dressed in silk pajamas. They approach and stare down at her, each wearing black ski masks and breathing hard. The teen girl tosses for a moment before slowly waking up and staring straight at them. Her eyes go wide. 'You're coming with us,' one of them growls. Cut to black over sounds of rustling and resistance. 8 Hours Later. Veronica struggles to see. Something is over her head and she begs the men to remove it. They rip it off, a pillowcase, and, for the first time, she is exposed to her surroundings. She is being kept in a messy storage locker and surrounded by two of the men, who seem almost as anxious as she is. 'Who are you?' she mutters. The two men look at each other, before turning back. 'You are being held until your father pays us what he owes us,' one says. Veronica lowers her eyes in fear. Her hands are crudely tied together, and she winches at the ropes. 'Do you think you could please remove these?' She begs. 'I'm obviously not going anywhere.' The men look at each other again, debating what to do, before the other pops open a switchblade and cuts her hands free. 'You better sit still,' he meekly warns, 'or else!' Suddenly, a door opens and a third man, the eldest of the three, comes strutting in the room with a gun and a cell phone. He sees that Veronica is loose and immediately rushes over, leaving the door ajar, to berate the other men for untying her. They tell him to chill, she promised not to run, and besides ... they all know she has nowhere to go. Calming down, the third man gets right into Veronica's face and tries to intimidate her. He warns her not to cross them or try anything stupid. They are trained professionals. They don't care how they make their money at the end of the day ... and disposal is much easier than ransom negotiations. Veronica clams up and agrees with everything that the man, who is clearly the leader, says. He seems to take great satisfaction from this power trip and tosses the phone into the hands of the other two men. 'Use this burner, boys,' he barks, turning back and flashing a sadistic grin at Veronica. 'Time to call daddy!' 24 Hours Later. Veronica sits slumped in a corner, sweaty and anxious, while the men try to talk to her father. This is the fourth call they've placed since the heist, and her dad is sobbing on the other end of the line. He can put together some of the ransom but not everything they are asking for. They are being unreasonable, and he begs for leniency. He hasn't called the cops, after all. He is playing along. Finally, the leader hangs up on him angrily. This is not going as he had expected. He lashes out at the other two men, waving his gun around, and telling them that they are being too soft on the girl. If they had the balls to send her father a special delivery, it would wrap things up quickly. Veronica shrinks back and whispers that her father is just trying to negotiate. That's what he does. He's always been cheap. He has the whole amount. The leader grabs her. 'So, what the fuck do you recommend we try next, then?' He yells. 36 Hours Later. Veronica sits quietly in between the two men, as the leader yells into the phone. He is telling the father that he knows about the hidden safe in his office and all the reserves he keeps there. As they argue, Veronica tries to whisper a few key details to help the leader prove his point. The father claims he emptied that safe out months ago. There must be some other way. Without thinking, Veronica stands up and yells 'Dad, Please!' This causes the father to panic, hearing his daughter in distress. The leader hangs up the phone abruptly and spins around, as the other two cover her mouth and pull her back down to the ground. 'I told you not to do anything stupid!' He yells. Slowly, Veronica removes the hand from her mouth and says. 'That wasn't stupid, that was exactly what you needed. He's nervous. Now, you just have to make him terrified!' 48 Hours Later. The three men sit in a corner, away from the girl, debating over what to do. The two men are becoming very antsy, urging the leader to just get rid of Veronica and abandon the job. She watches and listens closely, biting her lip. The leader argues that they should stick it out, they just need to do something that will really fuck the man up and get him to cough up the whole amount. It needs to be a real threat, no more pussying around. The room goes silent. 'You should all fuck me,' Veronica says quietly. 'Do whatever the fuck you want. Just send my father the evidence. As soon as he sees his daughter like that, he will cooperate with you. No more pussying around.' The men look at each other in shock. 'Does she have Stockholm syndrome or something?' One of them laughs nervously. Veronica stands up, shaking, and starts to under her pajama top. 'But, you need to make it look rough, make it look you ruined me. All three of you need to be in on it. Inside of me. Airtight. I want this to be done as much as you do.' She takes off her pants and stands naked before them. The leader flashes a smile and starts to approach her, as the other man chimes in to protest. 'What if she is playing us?' The leader tells him to stop pussying around, like the lady said, and get his phone out. It's picture time. The leader rests his gun on the ground, kicking it to the side, as he peels off his clothes. 'Grabs the masks,' he tells the other man. 'We don't want to be recognized!' The three men strip down, put their masks back on, and approach Veronica. 'Are you ready, sweetheart?' The leader coos in her ear. She says YES and drops to her knees. BBBG Rough Sex Scene with Airtight DP penetration. Throughout the sex, they take turns taking photos. In the end, the three men give Veronica a full facial and make her pose for a picture. While they laugh and look at the photos (the audience never actually sees the photos), she quietly sneaks to the side of the room where the gun was tossed, grabs it, and points it in their direction. Cut to black as gunshots are heard. Over a black frame, a voice over of Veronica calling her father. She asks if he saw the photos. He says yes, crying. She tells him this will be the last time they let her speak to him unless he gives them what they want. Through tears, he agrees. She tells him to bring the full amount to a location that will be texted to him. He must come alone. He must not involve the authorities. He agrees. The phone is cut. A final shot shows the father sitting, with a suitcase. A car pulls up and rolls down the window. It's Veronica -- dressed immaculately. She hushes her father and tells him it's ok, as a man in a black ski mask gets out of the car and collects the suit case. 'Will you let her go now?' the father pleads. As Veronica rolls the window back up, she hears the man pull the trigger and her father fall to the ground. The man in the ski mask gets back the front driver's seat and takes off his mask. It's Bruno. 'Where to now, Miss Veronica?' he asks politely. 'To the airport,' she replies.

4 years ago 2156 6:14
Model and actress-turned-director Sandra Shine introduces the latest episode of her fun, sexy Undercover series. On a hot, sunny day she is driving to pick up Coco De Mal, a girl who loves to watch pornos, and sex-in-public movies in particular, but who has not yet starred in one herself. Coco, a sweet, brown-eyed Hispanic brunette dressed in a cute pink-and-white outfit and sparkly gold sneakers, gets into the car. She is eager but nervous and puts herself in Sandra's expert hands. Sandra suggests filming her in a parking lot near a mall, where Coco can enjoy realizing her exhibitionist fantasy while minimizing the prospect of getting caught in the act. The pair chat, with Coco still nervous and a little starstruck by Sandra, but the director soon puts her at her ease. They arrive at the parking lot and exit the car however, Sandra suggests leaving a door open so Coco can hide if necessary. Coco begins to perform a seductive dance, hiking up her frilled skirt to expose a pair of white lace panties. She pauses and giggles as a car drives by, then Sandra asks to see her boobs and she flashes small, firm flawless breasts. Next, Sandra asks her to masturbate with her hand inside of her underwear but again, she becomes distracted and giggly whenever she spots a car or a person nearby. The director suggests she sit in the car, and Coco drops her panties around her ankles, revealing shaved pussy lips with a landing strip of trimmed dark hair on her mound. Now calmer, Coco begins to masturbate for the camera, manicured fingers stroking and splaying her lips. Although she continues to glance around, she soon gets lost in playing with herself and becomes horny enough to dare to leave the car once again. She frigs her slit for just a few moments before having to stop and act the innocent as, once again, there are people around. Then she puts one foot up on a concrete slab, showing off her long, tan legs as her fingers tease her snatch only to have to stop yet again, convinced she has been seen. She leans back against the car and pleasures her juicing pussy, then they decide that Coco will sit in the front passenger seat to make herself cum. She settles down, legs splayed, and now that she is able to focus on her orgasm, it takes just moments before it hits. Her hips buck, her thighs tremble and her entire body squirms and spasms as she climaxes hard around her hand, knees drawn up. As she calms down and cools off, the two women talk about her experience she found it hard at times, but is ultimately happy and satisfied, pleased and proud that she went through with it. She thanks Sandra for the opportunity and they talk about who may have seen her in action. Coco departs for the mall to shop for shoes, and as they kiss goodbye, Sandra tells her to watch out for people smiling at her, as this may mean they were watching her. With one final look around the parking lot for possible voyeurs, the picture fades as Sandra drives away

Model and actress-turned-director Sandra Shine introduces the latest episode of her fun, sexy Undercover series. On a hot, sunny day she is driving to pick up Coco De Mal, a girl who loves to watch pornos, and sex-in-public movies in particular, but who has not yet starred in one herself. Coco, a sweet, brown-eyed Hispanic brunette dressed in a cute pink-and-white outfit and sparkly gold sneakers, gets into the car. She is eager but nervous and puts herself in Sandra's expert hands. Sandra suggests filming her in a parking lot near a mall, where Coco can enjoy realizing her exhibitionist fantasy while minimizing the prospect of getting caught in the act. The pair chat, with Coco still nervous and a little starstruck by Sandra, but the director soon puts her at her ease. They arrive at the parking lot and exit the car however, Sandra suggests leaving a door open so Coco can hide if necessary. Coco begins to perform a seductive dance, hiking up her frilled skirt to expose a pair of white lace panties. She pauses and giggles as a car drives by, then Sandra asks to see her boobs and she flashes small, firm flawless breasts. Next, Sandra asks her to masturbate with her hand inside of her underwear but again, she becomes distracted and giggly whenever she spots a car or a person nearby. The director suggests she sit in the car, and Coco drops her panties around her ankles, revealing shaved pussy lips with a landing strip of trimmed dark hair on her mound. Now calmer, Coco begins to masturbate for the camera, manicured fingers stroking and splaying her lips. Although she continues to glance around, she soon gets lost in playing with herself and becomes horny enough to dare to leave the car once again. She frigs her slit for just a few moments before having to stop and act the innocent as, once again, there are people around. Then she puts one foot up on a concrete slab, showing off her long, tan legs as her fingers tease her snatch only to have to stop yet again, convinced she has been seen. She leans back against the car and pleasures her juicing pussy, then they decide that Coco will sit in the front passenger seat to make herself cum. She settles down, legs splayed, and now that she is able to focus on her orgasm, it takes just moments before it hits. Her hips buck, her thighs tremble and her entire body squirms and spasms as she climaxes hard around her hand, knees drawn up. As she calms down and cools off, the two women talk about her experience she found it hard at times, but is ultimately happy and satisfied, pleased and proud that she went through with it. She thanks Sandra for the opportunity and they talk about who may have seen her in action. Coco departs for the mall to shop for shoes, and as they kiss goodbye, Sandra tells her to watch out for people smiling at her, as this may mean they were watching her. With one final look around the parking lot for possible voyeurs, the picture fades as Sandra drives away

4 years ago 5880 2:06